Slinking coyly onto stage to the classical strains of Rachmaninov's Piano Concerto No 2, before launching straight into Barriers from their satisfyingly-fantastic and back on form top ten album Bloodsports, their first in over ten years, Suede's first visit to Rock City acted as a one-off warm up gig ahead of their Alexandra Palace date in London this Saturday.
With a well-documented back-history of monumental drug use, including crack and heroin addiction, it's some act of God that Brett Anderson is alive and kicking at all, never mind a thoroughly drop dead knockout, whippet thin, snake-hipped swivelling, chiselled-cheek boned, fringe-flickin', foxy forty-something.
Performing nearly every song from their new album, from the sublime Sometimes I Feel I'll Float Away to storming new single It Starts And Ends With You, whilst dipping into that almighty back catalogue with Animal Nitrate, Metal Mickey and The Beautiful Ones, it was Trash that got the biggest jumping, arm pumping response, whilst Hit Me saw the first of many of Brett Anderson's leaps off stage and jumps over the barriers to lovingly fawn and fondle- and be lovingly fawned and fondled by- a besotted and roaring Rock City crowd.
But the iconic stay-with-you Suede moment of the night had to be Brett Anderson, dressed head to toe in black, drenched and dripping in sweat, ripping open his shirt, pouting, posturing and casually swinging his microphone lead in huge languid circles to the steamy chorus of Filmstar like a filthy sexy beast- oh dad, he's driving us MAD! Catlike, enigmatic and slick, fronting his legendary band with provocative mesmeric glam, he still absolutely is as always was, the elegant sir rock star performer- and makes it look so easy.
This season sees Opera North's first ever staging of Mozart's very last opera written when, gravely ill and desperate for money, he broke off working on the Magic Flute to take this commission to celebrate the coronation of the new Emperor of Bohemia.
Written in 1791 and set in Ancient Rome, Opera North's stark, state-of-the-art, high-tech version cleverly combines touches of Roman costume with this season's fabulous must-have lace-up boots, corsets and Mac make-up whilst Annemarie Kremer is thrillingly magnificent as jealous and vengeful femme fatale Vitellia, setting the monochrome backdrop alight with flaming fire-engine red hair and flashes of her crimson linings as she cavorts naughtily on a table top to seduce her hopelessly-devoted admirer Sesto, whilst keeping a dagger handy in her clutch bag.
It's a tale of furious sexual envy, assassination plots and loyalty and honour's wrestle with betrayal as Vitellia convinces Sesto to kill his friend the Emperor Tito when he plans to marry another woman. With achingly-beautiful duets, unmistakeable Mozart phrases and a sublimely-ardent aria by Annio begging for La Clemenza di Tito- the clemency of Titus- this is a powerfully-compelling, all-engrossing and utterly captivating opera, superbly and flawlessly interpreted by Opera North's cast and company.
Treacherous, lustful, obsessive, passionate, moving, touching and at times very funny, La Clemenza di Tito, not always considered one of Mozart's most celebrated operas, absolutely deserves this renewed attention and confidentially, our highest recommendations.
Opera North are performing La Voix Humaine with Dido and Aeneas on Friday March 22 and Otello on March 23 at Nottingham Theatre Royal. Full details and ticket prices can be found here
With a Live Music Business Award for National Promoter of the Year already in the bag last year for Nottingham's DHP Group, promotions director Anton Lockwood has now also been nominated for Live Promoter (Individual) in the highly respected Music Week Awards taking place at The Brewery in London on April 11. He spoke to Nottingham Confidential about nominations, the city's burgeoning music scene and how Rock City initially brought him to Nottingham.
Together with running Rock City, Rescue Rooms, Stealth, Black Cherry Lounge and The Bodega in the city as well as Thekla in Bristol, Nottingham's DHP Group oversees 1200 gigs and nine festivals a year nationally, working with artists such as Rufus Wainwright, Flaming Lips and Ed Sheeran, whilst also now managing Nottingham band Dog Is Dead. "It was brilliant to win the Live Music Business Award, absolutely amazing," says Anton, "and this one's nice too because Music Week is the whole music industry, not just the live sector, it's a wider scope of people." All these award nominations are now coming! "I suppose it reflects that we've got to a certain level now where we're being really taken seriously and we're making an impact, in London especially, but all over the country."
The Music Exchange record shop in Stoney Street in Nottingham has also been nominated for a Music Week award in the Independent Retailer category. "It's great, because post-Selectadisc there was a bit of 'what are we going to do, it's the end of the music scene in Nottingham!' So it's great to see people come through there, doing really well and it's brilliant to see those guys getting somewhere. And Joey, the manager of The Music Exchange, is a really good friend of mine, I used to manage a band called Punish The Atom and he was the lead singer so I know him very well!" Two music award nominations is also great news for Nottingham. "Things seem to be really coming together for Nottingham at the moment, with that Jake fella doing all right for himself and we manage Dog Is Dead who are doing really well and there's another whole wave of people who are coming through, whether it's Harleighblu, Ady Suleiman, Indiana and many more."
What's caused this recent Nottingham music explosion? "It's just getting momentum, once you get a few things together the council starts taking notice and supporting things, and we try to put Nottingham acts on at Splendour festival, last year Jake Bugg opened the main stage, he was in the courtyard the year before and this year with him headlining we'll also have some more of the latest new people. Then there was the Guardian article and all these things conspire to mean people are taking notice and the artists think, I'm not just stuck in a box, I actually can get somewhere, I can be ambitious, they can see a future and think yeah, it's worth the effort."
Are you from Nottingham? "I'm from South Yorkshire, from Mexborough. I came to University in 1984 and this is absolutely completely true, I had good offers and it was down to Manchester or Nottingham, and I saw Echo and the Bunneymen were playing two nights at Rock City and Rock City was pretty unique as there weren't many proper dedicated music venues where bands would play that weren't municipal concert halls or bingo halls, so I thought yeah, I want to go there. I came to Nottingham and spent fourteen years working for Boots- my background is in IT- and I started putting on gigs as a hobby, basically. And then eventually Boots had a restructuring, I got made redundant and at about the same time I got offered to come and do what became Rescue Rooms, so I started from there and have been working for DHP for just over ten years."
With a recently opened London office, their successful Dollop dance music brand and their Alt-Tickets ticketing operation ticking over nicely along with everything else, are there any more future plans in store for DHP Group? "Will we do more festivals, maybe, will we look at more outdoor events, definitely, we really want to keep growing and getting bigger and better tours and also growing the dance music as we have a really strong brand in Dollop. We're also expanding the venues, fingers crossed, we'll have more news soon on that in the next few weeks. Dog Is Dead is doing very well so band management is something else we'll be looking for, if we see the right thing, we'll support that. We like to think we're big enough to deliver but small enough to be personal and a bit more rock n roll and with everything that's now happening with the music scene in Nottingham, we need to work together and we're trying to take our message around the country."
The Music Week Awards 2013 take place at The Brewery in London on April 11. A full list of all the awards finalists can be found on the Music Week website here
It was a right Nottingham knees-up sing-a-long at last night's Rock City as to frenzied cries of 'Jake! Jake! Jake! Jake!' our local neighbourhood Dylan/Donovan/Cash hybrid, the wunderkind folksy rock n roll mop-top poppet Jake Bugg ambled on stage and launched straight into beguiling love-song 'Fire' before shuffling around to wild applause, hiking up his trousers and saying, 'Thank you very much for coming, it's nice to be back, of course.'
And it's nice to have him back, of course, our home grown ickle superstar, because at 18 years old- and up there on stage looking even younger- it really is extraordinary, enthralling and just a little disconcerting to see this kid with such maturity in his voice and lyrics, singing with genuine and fervent emotion and inspiring a huge swelling of a lot of local Nottingham pride in the room.
As a heaving and heavily mod-haircut populated sell-out Rock City happily sang along to his set of songs from that startlingly fantastic eponymous debut album whilst cheering to new song Slumville Sunrise it was, of course, Clifton hit song Two Fingers that cranked the mosh up that extra notch and got the 'Nottingham, Nottingham, Nottingham' crowd chant, whilst Jake's de rigeur sulky teenage look only finally broke into a grin at the boos in response to him announcing Lightning Bolt as 'my last song' to which he added, 'well, if you cheer I might do another one...'
With an encore that included the beautiful ballad Broken, confidentially our current fave offa the album, punctuated in a 'differently' beautiful way by the belting 'woooooahhhs' from the crowd, together with a foot stamping Folsom City Blues cover, the moodily cute, altogether frickin-awesomely talented Jake Bugg is the first Nottingham artist to sell out Rock City, but if you didn't get a ticket this time, you can get all Bugged up when he headlines Splendour at Wollaton Park in Nottingham this summer oh, and good luck at those Brit Awards too, love.
You can see more photos from Jake Bugg's Rock City gig on our Nottingham Confidential Facebook page album here
Along with her ethereal and bewitching new sound, there were so many things about this gig at the Bodega on a midsummer August night that seemed dreamily unreal; that this is Charlotte Church's first ever tour of the UK- unbelievable, that she's 'starting again from the bottom' and only playing small venues- unbelievable, and- most unbelievable of all- that contrary to some reports, the Bodega was not sold out tonight, but for the completely mixed bag and utterly transfixed audience this made it all a triple treat, to be able to comfortably get up close and listen to that unmistakingly unbelievable voice in one of Nottingham's most intimate venues.
Her new material and direction is a little bit Goldfrapp, a little bit Kate Bush and a little bit Bjork, with beautiful, soaring, heart-wrenching and spell-binding songs fantastically showing off and showcasing her vocal range and inspired by some pretty weighty issues including the Levinson Inquiry, whilst Judge From Afar, our fave in the set, was written after reading an article in the Daily Mail "And," she adds," the comments online after it which were even worse, why did I read them!" Her stage presence is instantly likeable and utterly lovely, dressed in indie-chick little patterned dress with thick tights and flat boots and adorned with a halo of fluffy golden wavy tresses, she really is a tiny, gorgeous goddess singing her heart out and operating loop foot pedals at the same time. With a plan to release five EPs over the next twelve months rather than an album, two songs are available now including the superb How Not To Be Surprised When You're A Ghost. "The video is a bit strange for this song ,"she laughs "but I really like it!" and you can check it out here
This gig was also her first time in Nottingham "We got lost in the one way system!" and "Looks like you've got loads of lovely vintage shops here!" Eating spoonfuls of honey and glycerin between songs and then nipping outside after the gig with the audience for a crafty fag, she hung around chatting with fans for ages, happily signing endless armfuls of merch and to top all of that she even told us a secret which you can watch in the video below. She rocks! She rolls! Get up and get down on your knees and believe in the legend that is Charlotte Church and confidentially, you can come back to Nottingham for that shopping trip any time, Charlotte love.
Curated by local legend Dean Jackson from BBC Nottingham's long running music show The Beat, From Notts With Love is the first of a series of events celebrating Nottingham's music scene.
Taking place at The Space at Nottingham Contemporary on July 6th, the event is presented by Farmyard and Mantra promotions. Performers include Natalie Duncan who started on the Nottingham open mic scene in 2007 and has gained respect and admiration for her piano playing, stunning vocals and timeless, classic song writing and soulful pop singer-songwriter Nina Smith, one of the most talked about artists on the Nottingham music scene, who has also supported Belinda Carlisle, Finley Quaye and Alicia Dixon.
Liam Bailey, whose initial introduction to the music business came via the late Amy Winehouse who, after meeting him, released his first two EPs on her Lioness Records imprint and is known for co-writing Chase & Status' Top 5 smash Blind Faith feat Liam Bailey will also perform along with Chris McDonald, who has supported Pete Doherty and who makes acoustic guitar music with a folk and soul mix. Other performers will include the soulful vibes of Harleighblu and Tim McDonald, whose music is compared to Rufus Wainwright's epic string-based songwriting with a world music influence.
From Notts With Love is at Nottingham Contemporary on 6 July 2012 7.30pm- 1am. Tickets are £8 in advance and £10 on the door and are available from the Nottingham Contemporary Shop and Gigantic.comThursday, 29 December 2011
If you've been inspired by Gareth Malone and the Military Wives' success in beating the X Factor single to the Number One spot this Christmas and fancy joining in with the current and growing popularity of choirs, the independent singing community Sing Live could be for you- with no scary X-Factor-style auditions required! With groups all around the UK including the East Midlands, Sing Live brings the joy of singing to everyone, providing opportunities to sing both at home and all around the world. No experience or auditions are necessary and all ages over 16 are welcome to join. Singers train with voice coaches over a period of weeks learning a program of music and then perform a concert with professional musicians. Sing Live East Midlands have recently performed a 'Movie Musicals' concert at Nottingham's Albert Hall and there are opportunities to sing all types of music, including swing, pop, big band, rock and classical, all taught by a team of professionals. To be involved in Sing Live's next event at London's Royal Albert Hall with rehearsals held locally, contact Admin@singliveuk.com or visit the website for more details www.singliveuk.com
For those who have lived through and can nostalgically and vividly remember his 'sexiest man alive' New Wave- icon glory days, the chance to get another bite of the Adam Ant apple on his The Good, The Mad And The Lovely Posse new tour gets many a juice running with tantalising expectation. And there were quite a few tribal white stripes splashed on the happy faces of last night's good-natured, friendly and lovably upbeat crowd who roared their appreciation when the original and best pop dandy of them all appeared with a thrilling flourish on Nottingham's Rock City stage.
Launching straight into Plastic Surgery and adorned in fabulous costume (though confidentially, we'd prefer him to lose the hat and the eclipsing glasses nestled on those legendary razor-cheek bones) Adam Ant still has the presence, the voice and yeah, the moves, to bewitch, bedazzle and entertainingly enthrall and gave a near as damn perfect set which varied from the edgier and fantastic Red Scab and Whip In My Valise through to pretty much every memorable and favourite pop hit any fan could want. With twin girl/boy drumkits belting along to Stand and Deliver, Zerox, Kings of the Wild Frontier, Ants Invasion, Prince Charming, Vive Le Rock and Goody Two Shoes you could click your feet along, close your eyes, go back to the 80s and pretend like the millenium never even happened. Joined on stage for Deutscher Girls and at various intervals in various stages of undress by backing singer and general cavorter Georgina Baillie (Andrew Sachs' granddaughter from the Jonathan-Ross-Russell-Brand-gate, yes, it's her) a warm reception was also given by the audience to a rendition of Vince Taylor from forthcoming album Adam Ant Is the Blueback Hussar in Marrying the Gunner's Daughter.
Returning back to the stage for an encore which included a bouncy Get It On and ending finally with Physical, Adam Ant bowed out to an audience baying for more. Did we tell you he's wonderful? There's nothing to be scared of, Adam Ant live is top of the NOTCH and can still look flash, grab your attention and deliver.Saturday, 3 December 2011
Stalking onto stage on the Nottingham leg of their Velociraptor! tour, Leicester rock-pack Kasabian's lead singer Tom Meighan, sporting a a red trousers-sunglasses-and (slightly see-through) quiff combo versus songwriting-guitarist Sergio Pizzorno familiar Nigel Tufnel- haircut and Derek Smalls-moustache, kicked off the night with a bang and a banging version of Days Are Forgotten to a banging, heaving and capacity crowd. With all their football and video games associations, the audience, although mixed, was predominately very, very bloke-heavy, and the night was awash with testosterone. Confidentially, it was probably the roughest gig we've ever been to at the arena with Kasabian fans staying true to form with their legendary inordinate amount of beer-chucking, punctuated by short bursts of fisticuffs-aggro which were swiftly suppressed by security staff (and we weren't even in the mosh pit- not by several miles.)
Meanwhile, back on stage, the band were cranking up their gig several notches with each legendary Kasabian anthem, from Shoot the Runner to Underdog to ultimate classics Club Foot and Empire and this all together with a brilliant version of Misirlou from Pulp Fiction (nice trumpet) sent the crowd wilder, louder, faster and more and more beer-drenched whilst also inspiring some impressively-expressive arm-dancing in the crowd around us, possibly the best we've ever seen. Building up to a crescendo and then leaving the stage with the whole arena la-la-ing LSF on their own, Kasabian returned with an encore that included Switchblade Smiles from their new album (which is so, so damn good live) and finished with an extended and red-hot Fire, that nobody wanted to ever go out. Mighty and monstrously good, Kasabian definitely were on FIRE, catch this awesome beast of a gig again tonight in Nottingham if you can, grrr!Monday, 21 November 2011
Rock guitarist and singer-songwriter Ryan Roxie is the founding member of Roxie 77 and has played with Alice Cooper, Slash and Gilby Clarke of Guns N' Roses. He spoke to Nottingham Confidential ahead of his solo acoustic gig at The Old Angel in Nottingham. "This is the first time I've been to Nottingham under these circumstances, just me and a guitar and my solo stuff. I've been here before with Alice (Cooper) I know we've played Nottingham, I've seen it on the itinerary! The tour I'm doing now, it couldn't have been done without the help of friends and fans from my previous bands, whether it was Alice or Roxie 77, I had some really great guys who stepped up and helped make these dates possible for this tour after the sponsor pulled out of another tour I was doing. I work with Gibson guitars as my 'normal' gig and do clinics all round, but in order to do the tour I had to take some time off so this was the first time I was booked to play in England for five years so I thought, I've got to come here, there's no way I'm not coming!. We're going to come and a do another set of gigs again really soon, hopefully in the next couple of months or so and next time we'll try and come with big electric guitars because much as I love talking and being intimate with an acoustic guitar, there's something about an electric guitar that I'm just more comfortable with.
Ryan Roxie photo @ Nottingham Confidential
"My set is a collection of everything I've done and have been influenced by over the years. I got my influences from the 'real guys', there's a lot of bands who are influenced by newer bands, who were influenced by older bands. I was influenced by The Beatles, that was my ultimate favourite band from day one and then another band named Cheap Trick and through that I have these power-pop, melodic roots, but there's something about that electirc guitar, that loud guitar, playing big chords, it allured me and so I have always tried to blend those two together. And it's quite conicidental that Alice Cooper who I played with does the same thing, he blends very pop melodies with heavy guitars, which is what I'd been trying to do my whole life anyway so it was a great fit for me and Alice to play together for as many years as we did. "I always said Alice Cooper was pretty much the best boss you could ever have, seriously! A long, black- haired rock & roller as your boss is not a bad thing. He taught me so much, not just about music, but about the music business and to be honest with you, to this day, the lessons that I learned from playing with him and the things that I see him doing business wise, from being a radio show host and doing all the things he does with his charity work, I really tried to emulate all those things, like Splitting the Profits- half of the money from downloads from Roxie 77 goes to charity. So all of this was influenced by how Alice used music as a foundation, but also how he always branched off into other facets, very cool and inspiring."
A new radio station has just launched in the city dedicated to exclusively playing new Nottingham music. NGenious showcases the best material from Nottingham's music scene and broadcasts from the city centre 24 hours a day.
The radio station is committed to playing music by Nottingham artists and labels and is encouraging local bands to get in touch by emailing an MP3 sample to email@example.com. You can also support the new station by following them on Facebook and Twitter.
Skipping onto stage whilst daintily playing a white violin, belting out Walking On Sunshine and shimmering in white rhinestones and tassels, Dolly Parton is a tiny/larger than life 65-year-old wonder that really has to be seen to be believed. Receiving a rapturous reception from tonight's (all in all, rather 'mature') audience at Capital FM Arena, Dolly embarked upon a two and a half hour show (with a twenty minute interval) singing her own hits mixed with an eclectic choice of cover versions including Led Zeppelin's Stairway To Heaven.
Swapping the violin for a banjo and then a guitar, a piano, a harmonica and then (confidentially, our favourite) a saxophone, Dolly showcased her undeniably mighty musical talents wowing the audience with her self-penned classics including Jolene, 9 to 5, Coat of Many Colors and I Will Always Love You (after a catty swipe at Whitney Houston's famous version claiming, "Whitney ruined my song!" Miaow!)
The show was punctuated with frequent jokes and stories about her life, some of them age old "it costs a lot of money to look this cheap" to a new classic "if you mix country and rap you get crap" which didn't stop her launching into a hilarious Dolly-rap which included the immortal lines "Now I don't hip and I don't hop, I just blind them all with this big top! *points to boobs*
Reappearing after the interval in a new sparkling red outfit matching her Lady Deathstrike-style red nails and a change of wig (from cascading curls to wafting waves) Dolly candidly wisecracked about her cosmetic enhancements, "How do I always look so happy? Botox" but the real unvarnished truth is that Dolly's voice is still all her own with no artificial additives and blew us back into our seats with the show-stopping performance of the night, a rendition of the heartbreaking Little Sparrow which swelled all around the Arena and echoed back beautifully and hauntingly. Dolly Parton is still going on strong at 65 with no plans to retire and promises to keep coming back for another twenty years and confidentially, we plan to be right back there with her.
Local music producer, DJ and Nottingham Confidential star photographer David 'Dwyz' Wayman releases his new music video You Are Hip Hop this week and confidentially, you can check it out right here, right now!
The track comes from his album Lift Music Vol 1 by Dwyzak The Elevator which was released in November last year and features Nottingham vocalists and rappers.
Well known in the local music scene as a producer, Dwyak the Elevator has been working in the music industry for over a decade, is the founder of band Papa La Bas, the owner of Team Chameleon and has also featured on many releases as both a producer and guest vocalist. You Are Hip Hop and Lift Music Vol 1 are available to buy at iTunes and also on his website http://teamchameleon.net/
Named after a colliery headstock, the structure used to transport miners up and down a mining shaft, Headstock Festival will be taking place at Newstead and Annesley Country Park 9-11 September.
Echo And The Bunneymen
Set up in 2010 by Newstead Enterprise, Headstock Festival was started up to help create a sustainable future for the village of Newstead which suffered severe deprivation when its coal mine closed in 1987. The festival is a not-for-profit, eco and family friendly green social enterprise and is headlined this year by Echo and The Bunnyman and The Lightning Seeds. Over one hundred acts will be taking part including Red Dwarf's Craig Charles. As well as a dedicated children’s area called Kidstock, the festival will host street theatre, circus performances, DJ workshops and light installations. Real ale and ciders and home made food will also be available at reasonable prices.
It was the biggest and the best Splendour we've seen so far and the sun well and truly got its hat and its groove back on for this 18,000 ticket sell out event at Nottingham's Wollaton Park. With a cracking line-up headlined by pop-supermeisters The Scissor Sisters and rock legends Blondie, Splendour threw the local music event of the year with an impressively entertaining range of acts performing on four stages around the park including Feeder, Cast, Eliza Doolittle and The Bluetones.
And fittingly, also performing at the best ever Splendour and adding to the day's great swell of Nottingham pride were critically-acclaimed and all-round adorable local heroes the extroardinarily musically talented Dog Is Dead. "It was brilliant today and the crowd was unbelievable," said vocalist and guitarist Paul Roberts, "We've all grown up in Nottingham and I think it makes it a little bit more special that we're all from here and we've got so much more of a following than we thought we were going to get, it's really quite heart-warming to know there are this many people in our home town who like us, it's very nice. Rob, Trev and Joss met at school, Trev knew Lawrence from primary school and I met Trev at a play at Nottingham Arts Theatre.We all get along like a house on fire and it's brilliant." If you didn't manage to get a ticket for Splendour, the good news is that Dog is Dead will be headlining at Nottingham's Rock City on December 17."We're really glad all our friends from University will be able to come to that one," continues Paul, "because we started off playing just to our friends at college and now they've all gone to uni but they come to see us when they can, so doing the show in the Christmas holidays will be awesome."
Debbie Harry backstage
Confidentially, our next tip for the top is the luscious Luke Bingham from Leicester. Appearing on the Courtyard Stage at Splendour, Luke writes all his own songs, got down to the last 80 in Simon Cowell's group in X-Factor in 2006 and is now signed to Leicester's Insatiable Music who also famously signed H "Two" O. "It went really well, everyone enjoyed it, the good thing about this festival is that the times are right," said Luke, "so that when someone is going on one stage, the others are coming off so it draws the audience to you. We're shooting a video in Thailand for my next single which will be coming out in the next three or four months and I'll be doing more festivals, you can catch me at Strawberry Fields in Leicester next month and you can also follow me on Twitter and my Facebook page to see everything that's happening."
Finally, we'll end with a confidential heart-warming story from backstage which tells a tale of the power of Twitter and the loveliness of the Scissor Sisters. Scissor Sisters fans Jacques and his mum Cat from Nottingham originally won free tickets in an online competition to see the band perform in Surrey with a meet and greet after the show. But due to a problem with train times Jacques and his mum weren't able to get to Surrey in time and very unluckily missed the gig completely. Undeterred, Jacques used his initiative and tweeted Scissor Scissors lead singer Jake Shears to let him know what had happened and Jake personally arranged to get backstage meet and greet passes at Splendour instead. "I met them earlier today and it was great," said Jacques, "Jake signed my programme and I had my photo taken with the band." "We're so grateful to have that opportunity," added Cat, "It's been fantastic to come backstage and we've really enjoyed ourselves."
Jacques and the Scissor Sisters
A big congratulations goes out to everyone at Splendour 2011. From its beautiful setting to its great organisation, from Blondie rocking the crowd with Ana Matronic from the Scissor Sisters pogoing along to them in front of the stage, to a fantastic summer festival atmosphere, we felt the moment, we felt like dancing, Splendour, your hair is beautiful and we can't wait to come back and see what you do next year.
If you've been inspired by the feel-good TV show Glee to have a go at singing in a choir but baulk at the prospect of auditions or haven't got the time for weekly rehearsals, then Music For Everyone in Nottingham could be the option for you- with the chance to even perform at Nottingham's Albert Hall. Music For Everyone offers a range of different performing groups and choirs with open access for people of all ages from 6-86 and caters for all abilities in an atmosphere of inclusiveness. The flagship choir is Nottingham Festival Chorus with over two hundred current voices and is open to all by subscription with no auditions and performs major classical and 20th Century works. There are no weekly rehearsals, members are able to to learn the music at their own pace with the provided rehearsal CDs and score and all come together to practise at three events per year with concerts in January/February and June/July. Daytime Voices choir rehearse in the afternoon from 2-4pm, has groups in Southwell, West Bridgford and Wollaton, sing a mixed repertoire from jazz to classical and performed this year at the Promenade Concert at the Albert Hall in Nottingham. Music For Everyone also has several other groups for youth members and instrument players, which have a mix of both open and audition entry. Full details of all the choral groups and courses can be found on the Music for Everyone website http://www.music-for-everyone.org/
Five years ago a group of ladies gathered around a kitchen table and discussed what they could do to make a difference and raise funds for the Nottinghamshire-based homelessness charity Framework. They came up with the event An Evening of Opera In The Garden which is hosted in the beautiful grounds of The Old Hall in Lowdham, Nottingham and this year The Garden Opera Company will be performing The Impresario by Mozart and Leoncavallo's tragic Pagliacci (Clowns) on Saturday 2nd July 2011.
This live opera event will range from side-splitting comedy to heart-wrenching tragedy with the classical beauty of the music of Mozart and Leoncavallo and the whole production will be sung in English. There are two tiers of ticket prices with catering also available and all profits from the sales will raise funds for Framework. For further details about this live opera event visit http://www.doverbecktrust.org.uk
Nottingham, prepare yourself to get ROCKED, because on July 3rd, 36 years to the very day it was first launched, Radio Trent is making a comeback in its home town and will begin broadcasting once again.
It was back in 1975 that Radio Trent began with a morning show by John Peters who has now teamed up with two other original presenters Guy Morris and Jeff Cooper to relaunch the station. Radio Trent was Nottingham's first commercial radio station and continued until 1988 and after various take-overs and corporate re-inventions, its name changed to Trent FM and is now Capital FM with most of that station's programming originating from London.
"We'd been talking about re-launching it for a while and three months ago we decided to just go for it," says Jeff Cooper. "We're doing our own nostalgic version, harking back to the 70s, 80s and late 90s and we'll also be having specialist shows." Nottingham Soul Boy Kev Roberts will have an evening Northern Soul, Mowtown and Philly show there'll also be a punk and new wave show and a country show. "There'll be very much an emphasis on Nottingham and we also want to hear from local bands."
Moving with the times, the station will be now be internet-based. "Internet radio is the new pirate radio!" says Jeff. "We're excited about being able to do what we want."
You can listen to the test transmissions for Radio Trent and make requests here http://www.radiotrent.co.uk
Pssst, vinyl fans! You've heard the rumours and Nottingham Confidential can now confirm they're all true; Rob's Record Mart in Hurts Yard, for 31 years the most lovably-untidy and full-up shop in town has actually had a makeover. Gone forever are all those precarious quivering LP towers, brimming aisles and knee-deep record boxes, say hello to new shelving, colour-coded category labels and blimey, for the first time ever you can even see the floor.
'There's still quite a lot to do, I'm currently sorting out the upper level which will be a 50p section,' says Rob gesturing to a more familiar but soon to be organised heap of musical jumble. 'The new landlords wanted this whole area of Hurts Yard to be tidier- it feels good!'
So, it's a happier day for neat freaks, but for us Nottinghammers who've spent many a hour more than we intended to rummaging through the chaotic-treasure trove that will now be known as old-skool Rob's Record Mart, it's bordering on tragedy. Cleanliness may be next to Godliness, but hell, messiness was way more fun than this! The ease with which Nottingham Confidential managed to find David Bowie's Hunky Dory made us feel a little dead inside (£2, very good condition, considerably cheering.)
Well Nottingham, we never imagined this day would even come but Rob's Record Mart has changed and so we as a city must embrace this change. But at least we can take comfort in the fact that Rob, he of very fast speech, hasn't changed at all, after three and a bit decades he's still open every day (not Sundays) and still satisfying all those punk, reggae, northern soul, new wave and generally eclectic musical needs the way nature truly intended- in vintage vinyl format (some CDs, cassettes, videos and DVDs also available.)
You can embrace the change and buy the vinyl confidentially at Rob's Record Mart, Hurt's Yard Nottingham Mon - Fri: 10:00- 17:00 Sat:10:00- 017:00