Wednesday, 19 November 2014


Photo by Marcel van Hoorn

The musically undisputed and crowned 'King of Waltz' André Rieu will be performing at Nottingham's Capital FM Arena on December 10th. Wowing audiences into sing and dance-along participation since 1987 with his Johann Strauss Orchestra with up to 60 musicians and with album sales of more than 40 million worldwide, he talks about his new album, romance and falling in love with his first violin teacher.

You will be returning to the UK in December for the fourth time. What can audiences expect from your new show?

We are going to play a completely new program with new music.  Preparing a new show, choosing a new program is a great joy for me. The tour is called “Love in Venice” like the new album and we will try to bring the beauty, passion and warmth of Italy to the UK. So we will play some well-known melodies from Italy but also waltzes, music from film, opera and operetta. The Berlin Comedian Harmonists will join us with English songs and we have lots of international soloists from all over the world! The evening will end again with a big party. I hope you will come, dance, sing and clap along with us.

In your concerts, people are known to get up and dance or sing along with you. How would you explain this passion?

I think it’s a mix. Every night, we play with our hearts and I choose the program very carefully. A song has to touch my heart and then I know it will touch yours, too. When I am on stage I try to communicate with the audience and to involve them. I make jokes, I invite them to dance. I see myself not only as a violinist, but also as a conductor and entertainer. Classical music is so beautiful and can be so entertaining. And of course my orchestra is so joyful. We laugh a lot. They wear beautiful dresses. And it’s true, yes, the atmosphere is completely different from a typical “stiff” classical concert.

Do you have any favourite cities in the UK to play?

That’s such a difficult question! It’s like asking which one of your children is your favourite. I travel a lot around the world, but unfortunately the only places that I see are the airport, the hotel and the hall where we play. I rarely have time to walk around and enjoy the atmosphere because I keep to a very strict routine on days of performances. So I experience a city through its audience -  and all of the UK audience is fantastic. That’s why we play twelve concerts this year. We just wouldn't know which city to miss. It’s wonderful to return.

What makes the British audiences special?

The British audience is very special because they have their heart open right from the start. They are “there”. It’s fantastic for any artist to play in the UK. In Japan they sit very quiet and polite and listen and then during the encores they explode.  But in the UK I can feel the energy from the audience the moment I step out on stage.

How do you spend your time when you are not on the road?

I work a lot. I practice the violin several hours every day, I rehearse with the orchestra, prepare the next album, that means I'm always looking for new repertoire, I compose together with Frank Steijns, I work a lot in the studio, assisting to the editing of TV specials and DVDs. And beside all these musical things I'm an entrepreneur so there is always a lot to do in business too. In my free time I do a lot of sports, I cook and of course love to spend time with my family.

Your new album, “Love in Venice” is a collection of the most beautiful and romantic Italian music, like O sole mio, Mama, Volare, That’s Amore and many more. Next year you will be married for 40 years. What was the most romantic thing you’ve ever done for your wife?

My wife is the most important person in my life. Without her I would be in the gutter. I was deeply touched when she wrote my biography some years ago, “My music, my life”. I gave her a necklace with a little golden book as a gift in which both our names are engraved. She thought that was VERY romantic! And during the summer we love to sit at the Maas river together and watch a pair of swans that lives there.

Have you every composed a song for her?

There are three songs on “Love in Venice” that are all dedicated to this beautiful city: Bella Tarantella, La Gondola and Love in Venice, the title song, which I wrote for her, yes. We both adore Italy and go there once a year on a private vacation. It’s the most romantic place I know.

Your nickname is “The King of the Waltz”…

…haha, yes! Although there’s only ONE true King of the waltz and that is Johann Strauss.

But where did the waltz come from and how come it is so special?

I am not a musicologist, but here’s the story in short: The waltz got famous in the second half of the 19th century and came from the minuet. The minuet was danced far from each other, very distanced – so when the waltz came up it was shocking. To hold a woman in your arms and turning her around so that she would get out of breath was a scandal. Fortunately for England, Queen Victoria loved to
waltz, she could go on and on. The Strauss family were the pop stars of their time.

Why did you choose the waltz as your signature  tune?

My father was a conductor and we always used to go and see his concerts. One night, after playing Beethoven and Mahler, he conducted “By the Beautiful Blue Danube” as an encore. It was magical. I saw people smiling the whole atmosphere changed. I realized how powerful this music is. In a good waltz you always find joy and melancholy, love and sadness. It’s a mirror of life – and I see that every night before me, when the audience gets up and dance.

…and you play a Stradivarius, correct?

Yes, it’s a Stradivarius from 1732 and was built in Italy. It is one of the last instruments Stradivarius himself built. I used to play one from 1667, which was one of his first, but it was too small for me, so I gave it to a young girl from Korea. His instruments vary in size, the earlier ones are smaller than the later ones. I love this instrument; it reminds me of the opera singer Maria Callas – very warm and passionate.

What kind of music do you listen to in your free time?

Ohh, I would love to surprise you, but, alas, like many musicians I am so much surrounded by music every day that I do not listen to music in my free time. Unless I am prepare a new album. So I spent a lot of time listening to Italian music recently to choose pieces for “Love in Venice”.

Could you name one or two major influences in your life, and why were they important?

That’s easy! The most important influence is my wife. We've been married for 39 years now.  I always dreamed about finding someone I could share my private and business life with. When I was young, she introduced me to a lot of wonderful music – operetta, pop music, musicals, music from the twenties and thirties, which we both adore. I was not familiar with that kind of music. As a child all I ever heard at home was Bach, Bartok, Beethoven – which was great, of course but Marjorie opened a whole new world for me. The other major influence was my first violin teacher. A blond beautiful 18-year old girl. I was five years old and immediately fell in love with her. So I practiced a lot to impress her!

You've said you would like to perform someday at the North Pole, and on the moon - what are some of the other things you have on your Bucket List, both professionally and personally?

Haha, yes, but I think my wife would stop me from doing that! She keeps my feet on the ground. Honestly, I’d just be happy to be able to go on like this for as long as possible. I hope live up to 120 years. Personally I want my family, my sons and grandchildren to be happy.

André Rieu will be at Capital FM Arena Nottingham on Wednesday 10 December 2014. For tickets or more information visit or call 0843 373 3000.

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